Carbon dating on the shroud of turin
By itself, this feature of the Shroud supports neither a medieval nor an ancient date of origin but rather reinforces the impression that, whenever or however the image was produced, the circumstances were remarkable. For example, the detailed image of the man rests only on the top two microfibers of the cloth, not penetrating the linen, as would paint or dye, and could be scraped away with a razor blade.
The blood (type AB) seen on the cloth does fully penetrate the linen fibers, but tests show that it’s separate from, and underneath the image.
That characterization is based largely on debunked carbon-14 tests.
In 1988 they led researchers to estimate a date of origin between 12, but the samples tested came from edges that were added to fortify the cloth after it was damaged in a fire in 1532. Heated silver in the Shroud’s storage box created distracting shapes that now border the man’s image.
Since the 17thcentury, the sacred cloth has been housed in the Cathedral of Saint John the Baptist in Turin, Italy, except for a few years in the middle of the last century.
Italian authorities knew that Hitler was had designs on the Shroud, so in 1939 it was secretly moved to an abbey, the Sanctuary of Montevergine, in southern Italy. Prayers from the Benedictine monks there diverted them.
No broken bones are evident on the Shroud, a finding consistent with the messianic prophecy in Psalms (–20).
He elaborates: Roman authorities wanted criminals to suffer on the cross and ultimately die of asphyxiation.
That meant before crucifixion, criminals were either lightly flogged or not at all, so not to weaken them and hasten death. Later in the day when Jewish leaders asked Pilate to break the legs of the three men to hasten their death so that their bodies could be taken off the cross before the Sabbath, the Gospel states that Jesus was already dead.
Il criterio di scelta sarà l'esperienza dei laboratori nella datazione dei reperti archeologici Il prelievo dei campioni avvenne il 21 aprile 1988 nella sacrestia del Duomo di Torino da Franco Testore, docente di tecnologia dei tessuti presso il Politecnico di Torino, e Giovanni Riggi di Numana, microanalista.
Il primo effettuò le operazioni di pesatura, mentre il secondo eseguì materialmente il taglio.